Texts >

• 01

  Returning and Departing: The Intangible State of Wang Zhiyuan
  

   2025

• 02

  In conversation with the artist, Wang Zhiyuan, on Dictator’s Training Centre
  

   2025

• 03

  Art in the Eyes of the Artists: Peter Townsend's Chinese Woodcut Collection
  National Gallery of Australia
  

   2022

• 04

  Art at the margins of contemporary democracies
  Whither emergence?
  

   2018

• 05

  The Art of Survival: On Santiago Zabala’s “Why Only Art Can Save Us”
  

   2017

• 06

  This is not an Artist | The Treachery of Images
  

   2016

• 07

  Bigger, Better, and Cheaper
  

   2016

• 08

  To Live in This Place

   2016

• 09

  My supervisor Richard Dunn
  

   2014

• 10

  Chineseness and the Returning Artistic Diaspora:Wang Zhiyuan
  and His "New-Cheap-Materialism"

   2014

• 11

  Statement on Close to the Warm

   2014

• 12

  Gaze:"Close to the Warm"

   2013

• 13

  Losing Art for Art's Sake in Wang Zhiyuan's Work

   2012

• 14

  Who Is Collecting Contemporary Chinese Artworks

   2010

• 15

  Self-statement

   2010

• 16

  Indexing Wang Zhiyuan — Pi Li

   2009

• 17

  Glimpses and guilt:WangZhiyuan interviewed — Huang Du

   2009

• 18

  White Rabbit and I —Wang Zhiyuan

   2008

• 19

  In conversation with the artist, Wang Zhiyuan, on Dictator’s Training Centre
  

   2005

• 20

  A State of flux:the art of Wang Zhiyuan — Claire Roberts

   2002

• 21

  2000 essay:From Painting to wall — sculpture the case of Wang Zhiyuan

   2000

• 22

  Wang Zhiyuan — An Introduction by Nick Waterlow

   1996